|
|
Papers On Film & Television
Page 2 of 281
|
|
Violence in Movies & Television
[ send me this paper ]
This 6 page paper discusses violence in television and film and what can be done to protect children. The paper takes the position that parental control, and not censorship, is what is needed. Several studies on media violence are discussed. Bibliography lists 8 sources
Filename: Movtv.wps
Youth Violence and Television: A View of the Application of the
Cultivation Theory
[ send me this paper ]
This 5 page paper provides an overview of the essential components of George Gerbner's Cultivation Theory and defines
the correlation between the theory and the increasing prevalence of youth violence. This paper defines the problem, the theory and the application of the theory. Bibliography lists 5 sources.
Filename: MHkidvi_.wps
Aristotelian Considerations In Cinema
[ send me this paper ]
A 5 page paper that compares the play formulae laid out by Aristotle with the film versions of 'Much Ado About Nothing,' 'Sweeney Todd' and 'Who's Afraid of Virginia Woolf' ? Bibliography lists 7 sources.
Filename: Arismovi.wps
Primary Colors and Aristotle's Politics
[ send me this paper ]
This 5 page paper considers the film Primary Colors as it relates to Aristotle's views on ethics, excellence, vice and man's role in the political system. This paper considers the character of Governor Stanton, who campaign for president is the central focus of the film. Stanton's vices threaten his happiness and his standing in the political process and Aristotle's political and ethical considerations are evaluated as a means of understanding Stanton's actions and his inner turmoil. Bibliography lists 3 sources.
Filename: MHprimco.wps
Elia Kazan's 'A Streetcar Named Desire'
[ send me this paper ]
A 4 page analysis of Kazan's movie (based on Tennessee Williams' play) which discusses the probability, plausibility, and consistency of their actions in regards to the individual characteristics assigned to them. The paper also provides references to how the actors hired helped establish the characters' roles. No additional sources cited.
Filename: Streetca.doc
A Formalism Approach to “Titanic”
[ send me this paper ]
This 5 page report
discusses the movie “Titanic” and interprets its major themes
from the formalism approach. Literary formalism virtually
always encompasses stories of epic proportions and certainly
the story of Jack and Rose, situated against the background of
one of the modern world’s most dramatic disasters, serves as
an example of such. From the perspective of formalism, it is
important to interpret James Cameron’s blockbuster movie
“Titanic” as an exercise in both symbology for great passion
and romance, as well as an understanding of the hero’s (or
heroine’s) epic journey in self-discovery and personal
awareness and understanding of the world in which he or she
exists. Bibliography lists 2 sources.
Filename: BWformti.doc
Analysis of Titanic
[ send me this paper ]
This 5 page paper discusses the 1998 film Titanic, primarily in terms of the role camera angles played in reinforcing scenes. One scene is analyzed in detail and the entire film is briefly discussed as well. Bibliography lists 1 source.
Filename: Titanaly.wps
|
