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Papers On Film & Television
Page 19 of 281
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“Prince of Tides” and General Systems Theory
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An 8 page paper which examines
various characters and relationships from the film “Prince of Tides” and discusses how
they relate to different aspects of general systems theory. Bibliography lists 5 sources.
Filename: RAtides. rtf
“Prison” in Raise the Red Lantern and Yol
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Directors Zhang and Goren address the metaphor of prison in their films, Raise the Red Lantern and Yol by addressing the issue through the lens of society, politics, sex and traditions, both society and family traditions, including the relationship between husband and wife. Bibliography lists 3 sources. jvRLntrn.rtf
Filename: jvRLntrn.rtf
“Public Service Broadcasting”
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A five page paper which considers the duties and responsibilities of public service broadcasters, particularly in relation to the advent of satellite television and the wider degree of choice available to the viewing audience.
Bibliography lists 5 sources.
Filename: JLpbs.wps
“Raging Bull” and “When We Were Kings” -- Portrayals of Boxing
and Boxers
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This 6 page report discusses and compares Martin
Scorcese’s 1980 portrayal of Jake La Motta in “Raging Bull” with
“When We Were Kings” (1996), an Oscar-winning documentary that
tells the story of what was known in 1974 as the “Rumble in the
Jungle.” It was a fight that pitted two of the greatest boxers
the world has ever seen against one another -- Muhammad Ali and
George Foreman. The report addresses what each film has to say
about both the sport of boxing and the actual boxers.
Bibliography lists 8 sources.
Filename: BWbullkg.rtf
“Rear Window” and “Blow-Up”
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This 4 page paper discussed the similarities between the films “Rear Window” by Alfred Hitchcock and “Blow-Up” directed by Michelangelo Antonioni. Bibliography lists 3 sources.
Filename: HVrerblo.rtf
“Review of Doug Liman’s Go , with reference to its elements of high art”
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A five page paper which looks at the film Go and analyses it with reference to the various elements which define a work as high art, such as universality of meaning, profundity, complexity and cross-culturalism, in order to assess whether the film falls into this category.
Bibliography lists 2 sources
Filename: JLGo.wps
“Rome, Open City” and “The Bicycle Thieves”
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A 4 page comparison and contrast of
the film “Rome: Open City” (1945) and “The Bicycle Thieves” (1948). Bibliography lists
3 sources.
Filename: RAbicyc.rtf
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